Three Drawer Transitional Chest
K287
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Three Drawer Transitional Chest K287
The feeling and beauty of Tuscany is slowly and faithfully reproduced by Grand Rapids hand decorators. This transitional chest is created of Cherry to be a blank canvas for a designer’s imagination. Often sold with a hand painted faux marble top and our ever popular hand painted Tuscan decoration, this piece is a true work of art. Available in a smaller version (288).
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- Width: 52.5" (133.35 cm)
- Depth: 21.75" (55.245 cm)
- Height: 37.75" (95.885 cm)
- Arm Height: 0" (0 cm)
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- Antique Noir Faux Marble
- Antique Melon Marble
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Proper care of your furniture is important to increase the longevity and enjoyment for years to come. Download our furniture care guide for information on the proper care of your piece.
The Classics
Iconic beauty for every era.After over a century of handcrafting furniture, we know what timeless looks like: iconic beauty and luxury for every era. Curated for those whose tastes never go out of style, the Classics collection features traditional pieces designed to captivate no matter the current trends.
Donald J. Burgess
“"I learned from the best"”Growing up around design gave Don an early appreciation for it. In high school he made deliveries for his father’s design studio and while there he studied all the catalogs on the shelves. Don went on to study furniture design at Kendall College of Art and Design in Grand Rapids, Michigan. The exposure he gained while working with his father helped him to understand styles and good design, and meeting the customer’s wants and needs. After graduating, Don began working for Karges Furniture where he had the pleasure of working with Edwin Karges, Sr. "Mr. K" took Don under his wing for what Don considers his journeyman ship. He started making market samples of his designs with the help of the many artisans at Karges, in particular Pete Thompson. Don continued designing under Mr. K until his passing, when he became Karges’ Director of Design, a position he held until 1990. Don has always been grateful for the many things Mr. K taught him about beautiful lines, visual weight, proportion, and ornamentation. He has said that "the knowledge and experience gained working alongside Mr K went beyond anything you could learn at school."
